Train Online! Discover the power of Zoom and the art of the self tape.
This eight-session class is designed for actors with prior experience and training, who are ready to explore more challenging material while taking risks, trusting their instincts, and living in the moment. Held on Zoom, this class is accessible to actors worldwide and offers valuable practice on a platform now essential to the casting process.
For experienced actors with previous training at our studio (or other reputable acting programs) or professional experience in TV, film, commercials and theater. For less experienced actors, sign up for our Virtual Foundation Intensive.
- Train on-camera in a way that supports you in the audition room, in self-tapes, on Zoom, and on set
- Dive deeper into Margie’s 10-step approach to creating and living a life with more challenging scripts
- Learn how to create characters fully – from their deepest emotional core to the way they mask as they move through life
- Build and inhabit your character’s environment with specificity and conviction
- Explore the Haber Phrasing™ so you can confidently nail a cold read or last-minute audition with little time to prepare
- Let go of the need to impress and step into your personal power
- Work directly with top industry coaches on your craft and career
meet your instructors
Melanie Nicholls-King
Advanced Instruction
Melanie Nicholls-King is a Canadian-American actress with Trinidadian roots, best known for her roles as Cheryl in HBO’s The Wire, Officer Noelle Williams in ABC/Global’s Rookie Blue, and Hazel LaCroix in the beloved Netflix/CBC series Anne with an E.
Her screen credits also include Orphan Black (CTV/BBC America), The Week Of with Adam Sandler and Chris Rock (Netflix), Star Trek: Discovery (CBS), Little Fires Everywhere with Reese Witherspoon and Kerry Washington (Prime Video), Your Honor with Bryan Cranston (Showtime), Black Bird with Taron Egerton and Paul Walter Hauser (Apple TV+), and The Gilded Age with Audra McDonald and Cynthia Nixon (HBO).
On stage, Melanie was proud to appear in Playwrights Horizons’ production of Familiar, written by Danai Gurira and directed by Tony Award-winner Rebecca Taichman, alongside a stellar ensemble including Tamara Tunie.
In the audio world, she lends her voice to Melissa Valentine’s memoir The Names of All the Flowers, Christina Sharpe’s In the Wake: On Blackness and Being, the Audie-nominated sci-fi title No Kindness Too Soon by Sylvain Neuvel, Colin Kaepernick’s Change the Game, and Alison Bechdel’s Dykes to Watch Out For.
Melanie stars in the Paramount+ feature Little Wing with Brian Cox, and in 2025, she appears in the Apple TV+ film Wildvale alongside Julianne Moore and Fiona Shaw.
Kimberly Huie
Advanced Instruction
Kimberly Huie is a Jamaican-born, Canadian-raised actor currently based between Toronto and New York City. After training at Circle in the Square Theatre School in New York, she landed a series regular role back in Toronto with the creators of the Degrassi franchise. She later relocated to Los Angeles, where she guest-starred on numerous hit series including CSI, NYPD Blue, Grey’s Anatomy, CSI: Miami, and Andromeda.
Her screen credits span from commercials and pilots to feature films, including the blockbuster Deep Impact and the indie favorite Passenger Side opposite Adam Scott. Most recently, Kimberly has had recurring roles as Grace Dixon on the OWN drama Kings of Napa, and as Fantine in Apple TV’s City on Fire.
Some of her favorite roles include portraying Mrs. Margaret Washington opposite Octavia Spencer in Netflix’s Self Made, and Adult Lauren in the slasher comedy Totally Killer with Kiernan Shipka and Julie Bowen.
A graduate of The Second City Toronto’s improv program and a multilingual lover of accents, Kimberly created and starred in the award-winning one-woman short film The Intervention. The film has screened at festivals across North America and the Caribbean.
She has spent several years training in Margie Haber’s Master Class, where she continues to fuel her creativity and sense of play. Kimberly encourages actors to let their curiosity and empathy guide their work—on and off the screen. Stay curious.
SPOTS ARE LIMITED. SECURE YOURS TODAY!
Classes are conducted on-camera via Zoom, with material from film and TV. Students will have the opportunity to participate in cold-read, warm-read, and callback scenarios, while gaining a solid foundation in Margie’s philosophy of “living the life” in auditions and on set. Open to actors ages 18+, and limited to 12 actors per session.
New students start their creative journey in an intensive. Continuing students are welcome to join an ongoing class after completing their intensive to keep building on what they’ve learned, week-to-week.
* FREE BONUS *
ACTING WITHOUT FEAR
When you claim your spot in the Virtual Advanced Intensive, you’ll also get access to this inspiring lecture from Margie Haber. This online lesson will help familiarize you with some of Margie’s most important concepts so you get the most out of your Virtual Advanced Intensive.
Here's what Some of our recent students are saying
“Margie understands actors and is wonderful with them. She has developed a fabulous technique for auditioning and getting the job in a limited amount of time.”
Colin Egglesfield – Actor, “Melrose Place“, “Rizzoli & Isles,” “The Client List,” “All My Children”, Something Borrowed
“When I worked with Margie on the movie, Touch, I was all over the place until she centered my attention on the other character and VOOM! I was suddenly focused. She’s got the magic touch.”
Emily Rose – Actress, “Haven”
“Studying with Margie was a very rewarding experience. With Margie you get what you see. The simplicity yet depth of her approach gave me the ability to realize the power of stillness and that her process is all about capturing the truth. The Haber technique is by far one of the most effective tools I use when I’m auditioning.”
Haaz Sleiman – 2008 Spirit Award Nominee For “The Visitor”
“Once I knew the audition had been scheduled, Margie was my first phone call. I knew that if anyone could help me get the part, it was Margie.”