Train Online! Discover the power of Zoom and the art of the self tape.
This eight-session class is designed for actors with prior experience and training, who are ready to explore more challenging material while taking risks, trusting their instincts, and living in the moment. Held on Zoom, this class is accessible to actors worldwide and offers valuable practice on a platform now essential to the casting process.
For experienced actors with previous training at our studio (or other reputable acting programs) or professional experience in TV, film, commercials and theater. For less experienced actors, sign up for our Virtual Foundation Intensive.
- Train on-camera in a way that supports you in the audition room, in self-tapes, on Zoom, and on set
- Dive deeper into Margie’s 10-step approach to creating and living a life with more challenging scripts
- Learn how to create characters fully – from their deepest emotional core to the way they mask as they move through life
- Build and inhabit your character’s environment with specificity and conviction
- Explore the Haber Phrasing™ so you can confidently nail a cold read or last-minute audition with little time to prepare
- Let go of the need to impress and step into your personal power
- Work directly with top industry coaches on your craft and career
meet your instructors
Melanie Nicholls-King
Advanced Instruction
Melanie Nicholls-King is a Canadian/American actress with Trini roots best known for playing Cheryl in the HBO series, The Wire; Officer Noelle Williams in the ABC/Global series, Rookie Blue; and Hazel LaCroix, in the beloved Netflix/CBC series, Anne with an E. She can also be seen in Orphan Black onCTV/BBC America, The Week Of with Adam Sandlerand Chris Rock on Netflix, Star Trek: Discovery on CBS, Little Fires Everywhere with Reese Witherspoon and Kerry Washington on AmazonPrime, Your Honor with Bryan Cranston on Showtime, Black Bird with Taron Edgerton and Paul Walter Hauser on Apple TV+, and The Gilded Age with Audra McDonald and Cynthia Nixon on HBO, to name a few. On stage, she was thrilled to be a part of the Playwright Horizons’ production of “Familiar” written by Danai Gurira, directed by Tonyaward-winning director, Rebecca Taichman and featuring an ensemble of actors that included the incredible Tamara Tunie. In the audio world, she can also be heard on Melissa Valentine’s searing memoir, The Names of All the Flowers, Christina Sharpe’s In the Wake: OnBlackness and Being, the Audie nominated sci-fi book, Sylvain Neuvel’sNo Kindness Too Soon, Colin Kaepernick’s Change the Game and AlisonBechdel’s Dykes to Watch Out For. She can also be seen on the Paramount+ feature film, Little Wing with Brian Cox and in 2025, the Apple TV+ feature film, Wildvale starring Julianne Moore and Fiona Shaw.
Kimberly Huie
Advanced Instruction
Kimberly Huie is a Jamaican born, Canadian raised actor currently based between Toronto and New York City. After studying at Circle in the Square Theater School in NY, she landed a series regular role back in Toronto with the makers of the Degrassi franchises. She soon relocated to Los Angeles where she worked as a Guest Star on shows like CSI, NYPD BLUE, GREY’S ANATOMY, CSI MIAMI, and ANDROMEDA. In between there have been countless commercials, some Pilots, and a few movies ranging from blockbusters like DEEP IMPACT to the low budget indie PASSENGER SIDE with Adam Scott. Most recently she has recurred as Grace Dixon on the OWNtv nighttime drama KINGS OF NAPA and Fantine in CITY ON FIRE on APPLEtv. Favorite roles include Mrs. Margaret Washington opposite Octavia Spencer in Netflix’s SELF MADE and Adult Lauren in the slasher comedy TOTALLY KILLER with Kiernan Shipka and Julie Bowen. She is also a graduate of The Second City Toronto Improvisation program and a multi-lingual lover of accents. This combination resulted in her one woman short film, The Intervention. It has shown in Film Festivals across North America and the Caribbean and won multiple awards. Kimberly has spent several years studying with Margie in her master class, feeding her creativity and sense of play on a weekly basis. She encourages actors to let their curiosity and empathy feed their creativity. Stay curious.
SPOTS ARE LIMITED. SECURE YOURS TODAY!
Classes are conducted on-camera via Zoom, with material from film and TV. Students will have the opportunity to participate in cold-read, warm-read, and callback scenarios, while gaining a solid foundation in Margie’s philosophy of “living the life” in auditions and on set. Open to actors ages 18+, and limited to 12 actors per session.
New students start their creative journey in an intensive. Continuing students are welcome to join an ongoing class after completing their intensive to keep building on what they’ve learned, week-to-week.
* FREE BONUS *
ACTING WITHOUT FEAR
When you claim your spot in the Virtual Advanced Intensive, you’ll also get access to this inspiring lecture from Margie Haber. This online lesson will help familiarize you with some of Margie’s most important concepts so you get the most out of your Virtual Advanced Intensive.
Here's what Some of our recent students are saying
“Margie understands actors and is wonderful with them. She has developed a fabulous technique for auditioning and getting the job in a limited amount of time.”
Colin Egglesfield – Actor, “Melrose Place“, “Rizzoli & Isles,” “The Client List,” “All My Children”, Something Borrowed
“When I worked with Margie on the movie, Touch, I was all over the place until she centered my attention on the other character and VOOM! I was suddenly focused. She’s got the magic touch.”
Emily Rose – Actress, “Haven”
“Studying with Margie was a very rewarding experience. With Margie you get what you see. The simplicity yet depth of her approach gave me the ability to realize the power of stillness and that her process is all about capturing the truth. The Haber technique is by far one of the most effective tools I use when I’m auditioning.”
Haaz Sleiman – 2008 Spirit Award Nominee For “The Visitor”
“Once I knew the audition had been scheduled, Margie was my first phone call. I knew that if anyone could help me get the part, it was Margie.”